Monday, 30 July 2012

WEEK 2 - Post-Modernism - Ai Weiwei and Banksy.


Week 2 - Post-Modernism - Ai Weiwei and Banksy.

 POST-MODERNISM


This week's ALVC tutorial covers Post-Modernism. Use the ALVC texts and definitions from the internet to define the term and answer the following questions;

1. Define Post-Modernism using 8-10 bullet points that include short quotes.
        
  • Pluralism-“Let me first say that I believe postmodernism represents an important virtue. This virtue is pluralism.” 
  • · Contingency-“Reality does not determine language, language determines reality.” This position may be called linguistic idealism, a radical and quite bizarre idea that language constructs reality.” 
  • · Deconstuctive-“Deconstructive postmodernism seeks to overcome the modern worldwide, and the assumptions that sustain it, through what appears to be an anti-worldwideview.” 
  • · Relativism-“Postmodernism is associated with relativism. Relativism is the idea that “anything goes.” 
  • · Rejection of modernist thinking-“Postmodernism rejects “reason, the notion of truth, the belief in the perfectibility of man, and the idea that we could create a better, if not perfect, society
  • Magical realism-“Arguably magical realism is the introduction of fantastic or impossible elements into a narrative that is otherwise normal. Magical realist novels may include dreams taking place during normal life, the return of previously deceased characters, extremely complicated plots, wild shifts in time, and myths and fairy tales becoming part of the narrative.”
  • Intertextuality-“The intertextuality of certain works of postmodern fiction, the dependence on literature that has been created earlier, attempts to comment on the situation in which both literature and society found themselves in the second half of the 20th century”
  • · Technoculture and hyperreality-“In his essay of the same name, Frederic Jameson called postmodernism the “cultural logic of late capitalism.” According to his logic, society has moved beyond capitalism into the information age, in which we are constantly bombarded with advertisements, videos, and product placement. Many postmodern authors reflect this in their work by inventing products that mirror actual advertisements, or by placing their characters in situations in which they cannot escape technology.




2. Use a quote by Witcombe (2000) to define the Post-Modern artist.(page 24)
“The post-modern artist is “reflexive” in that he/she is self-aware and consciously involved in a process of thinking about him/herself and society in a deconstructive manner, “damasking” pretentions, becoming aware of his/her cultural self in history, and accelerating the process of self-consciousness.”

3. Use the table on pages 47 and 48 in your ALVC handbook to summarize the list of the features of Post-Modernity.
From studying the table on page 47-48 on the resources, what I could understand in my own sense about what post modernism is that first off it is considered a rival reaction that challenges that idea of modernity. while the idea of modernism focuses on kind of more of a utopian ideas, where it combines traditional belief and teachings into more contemporary thoughts in one unity, post modern focus on the opposite in terms of disunity as well as the ultimate idea in pluralism (a idea where there is more than one kinds of things/reality that exist at the same time). so this idea allows two or more ideas and purpose to exist without have to be related together, allowing many belief and theories to happen. This allows art to exist in almost anything, and depending on the individual views it can be limitless, allowing many ideas to exist in one space without each having to connect to one another. So as Saugstad, A said, there is “No Grand Narrative” it is open to all.

Use this summary to answer the next two questions.

4. Research Chinese artist Ai Weiwei's 'Han Dynasty Urn with Coca-Cola logo'(1994)
in order to say what features of the work could be considered Post-Modern.
For the work of Contemporary Chinese artist Al Weiwei, I believed that his work," Hans Dynasty Um with Coca-Cola Logo (1994)" does show features of post modern ideas, both in a commons themes of the idea as well as a personal belief to the artist, as most of his work challenges the values of Chinese society in their belief of China's communism structure, as well as his government stands in democracy and human rights. For the physical aspects the urn obviously even in current times represents the rich historical aspects of specific to china, while the coca-cola, an America brand is widely recognized throughout the world as a current popular symbol and culture. their mixture in both time and culture is a obvious relation to post modernism as it symbolize the relation between their tradition and history, ignoring the rules and ideas places on modernism and embracing the post modern idea of pluralism, where it doesn’t need to relate, just exist, as the placing of a coca cola brand in an ancient Chinese relic could have been very offensive to the Chinese, as it is implying the idea of foreign invasion due to the American, if not international standing of the brand, therefore corrupting their cultural and historical aspects of china, which all relates to how they fit in to the post modern belief of values are being both challenge if not subjective.

'Han Dynasty Urn with Coca-Cola logo'(1994), Ai Weiwei


Ai Weiwei dropping a Han Dynast Urn.
1.      Research British artist Banksy's street art, and analyze the following two works by the artist
to discuss how each work can be defined at Post-Modern.(Use your list from question 3.)

For the two works of British graffiti artist Banksy, I believe that each of the work shown can be considered as post modern as each of the work shows the mixture of two different ideas which would be mostly opposite to each other in both the aspects of time and culture, yet they are still present. He disguise each works in a humorous if not ironic style, while still open enough to show his view on society and politics in general. This is first show in his first work, the Flower Riot (2008) which portrays an angry rioter, but instead of throwing what should have been a dangerous home-made range weapon of some sort, like a Molotov, he is holding a bunch of colorful flowers which contradicts what he was supposed to hold. This idea would have helped show the theme of peace, and the display of antiwar, as the flower would have just scatter. this I believe is quite successful in relation to post modern as it uses two opposite style of art and combines them to help communication one idea, where the rioter, a common use of war and revolution, would lead the audience, then the flower would have symbolize the works true nature of peace. But this is only one obvious reason for it, as a post modern work, there is no straight answer, so there is more than one purpose for what it represents. For the second work named Los Angeles (2008) it shows a caveman holding a fast food tray with all the common "McDonald" meal. This work also shows an obvious relation of post modern based on the mixture of culture and era, where he is in way advertising that kind of fast food restaurant, so it has some relation to commercialism. This also helps in contradicting modernism because unlike modernism which is related to the current or present era, post modern is related to all style of era, so that anyone, even caveman could obtain fast food, or in some sense

'Flower Riot', Banksy

Los Angeles (2008), Banksy

http://dailyserving.com/2010/07/ai-weiwei-dropping-the-urn/
http://www.artlyst.com/articles/ai-weiwei-takes-on-coca-cola-in-new-london-exhibition
http://arthistoryresources.net/modernism/modpostmod.html
http://postmodernblog.tumblr.com/post/106532710/a-list-of-postmodern-characteristics
http://www.adelinotorres.com/filosofia/Postmodernism%C2%A0%C2%A0%20What%20is%20it,%20and%20What%20is%20Wrong%20With%20It.htm
http://arthistoryresources.net/modernism/modpostmod.html

Monday, 23 July 2012

WEEK 1- Nathalie Djurberg's 'Claymations'.


Nathalie Djurberg's 'Claymations'. 

Swedish artist Nathalie Djurberg's intricately constructed claymation films are both terrifyingly disturbing and artlessly sweet.

The new works created for the Venice Biennale explore a surrealistic Garden of Eden in which all that is natural goes awry.

She exposes the innate fear of what is not understood and confronts viewers with the complexity of emotions.

Nathalie Djurberg was awarded the silver lion for a promising young artist at the Venice
Art Biennale 09.
(http://www.designboom.com/weblog/cat/10/view/6886/nathalie-djurberg)


'Experiment' (2009) Venice Biennale
  

Research Djurberg's work in order to answer the following questions;

1.    What do you understand by the word 'claymation'?
Claymation, a general term used for Clay Animations, is one of the many forms of stop motion animations that use clay as its medium. The term being coined by its creator, Will Vinton, the technique behind it is similar to any form of traditional stop motion, where the object (which could be of anything) is slowly moved between each individual photographed frame to help create a convincing illusion of movement when the frames are being played in a continuous sequence. Clay motion uses that same style but uses clay (specifically Plasticine or any form of moldable material) as its animated piece for character and background.


2.    What is meant by the term 'surrealistic Garden of Eden'? and 'all that is natural goes awry'?
The term “Surrealistic Garden of Eden” is made out of two meanings. surrealistic, relating to the idea of surrealism (a cultural movement/style from the 20th century  that uses subconscious imagery to create art without the intention of reason or comprehension), focuses the idea of having a dreamlike state or quality, and for that itself uses the similar idea of surrealism to help question the image for what it actually is. While the Garden of Eden, a famous story from the old testament of the Christian bible, tells of how god had forbidden the first humans, Adam and Eve, to eat the apple form the tree of knowledge during their stay in the garden of god, but disobey, therefore gaining knowledge and reason, so they were banished forever. Being the opposite of surrealism, this term focus on the ideas reason and logic, and so their combinations help show the kind of twisted if not distorted idea that she has portray, and how they would be opposite from how the garden was meant to look.
As for “All that is natural goes awry”, the term Awry means "in a turned or twisted position or direction", while the previous words, which most likely symbolize the idea of living and just being "normal" these terms together most likely give use the meaning that all things in life are not always real or what they seem and that they could sometimes end up wrong or bad, even death.


3.    What are the 'complexity of emotions' that Djurberg confronts us with?
The different kinds of emotion that she tries to convey in her work are of what we consider as "negative emotions". While we naturally view flowers as beautiful and pretty in normal condition, the works she portrays in her piece “Towering Clay Flowers" shows the obvious, negative emotion of anger, pain, fear, sadness, and sometimes pleasure and even death. They are portrayed in her work mainly to help confront us of the different kinds of perspective that exist within the object which are not just shown with the ones we obviously see. Where her piece help confront viewers with complex emotions both "terrifying and artistic" in some way and never end with just one view.


4.    How does Djurberg play with the ideas of children's stories, and innocence in some of her work?
Djurberg work helps show a more negative and more disturbing side of these children stories compared to their sweet and innocence setting which they are normally shown, to help show more of their original meanings to their work by viewing it in a way that has never been shown before. And their focus on seeing it in a darker and scarier side then how we were original shown through these works, helps show more beyond of what it means than what it says.  So she’s helping us give more of these different perspectives of children’s stories through her work to help open it even more in comparison to how they were originally shown.


5.    There is a current fascination by some designers with turning the innocent and sweet into something disturbing. Why do you think this has come about?

I think that in this more current era, designers are just trying out new things and just exploring these new ideas to experiment within the industry. but just like the work of Nathalie Djurberg, I believe that they are trying to show more of a darker side of what we original established as good or sweet, and just to switch them around to help experience a newer side that was never through possible, and in truth help us understand the many different sides of the same setting or story and object, in order to know more then what we knew then, toward what we could know now.


6.    In your opinion, why do you think Djurberg's work is so interesting that it was chosen for the Venice Biennale?
For my opinion, her work was most likely chosen based on her new form of style and movement which were clearly different from what artist are doing. But another reason which we have show throughout this blog is her theme, of different perspectives and view of an idea or thing as a whole rather than of from one area, and to show it in her work so interestingly that it makes the audience fascinated and helps in understand her piece.
7. Add some of your own personal comments on her work. 
What I also like about her work was her approach in the use of changing the traditional ideas of sweet and innocence, into something that is dark and disturbing, which plays very well in relation to her ideas, it help remind me of some of the other ideas, including a game which also explores this kind of idea. Know as Alice Madness returns, it focus on the aftermath of the famous Alice in wonderland, shows a darker side of the little girl following her parents death, and show the famous world of wonderland in a far more darker, gorier, and most disturbing place that it has ever taken for a game, so the idea is no different, making me find it both interesting yet disturbed at the same time, which I believe is what the artist what us to experiences.



http://www.bibleinterp.com/articles/eden357918.shtml
http://www.guardian.co.uk/artanddesign/2011/aug/25/artist-nathalie-djurberg
http://www.merriam-webster.com/dictionary/awry
http://www.merriam-webster.com/dictionary/surrealistic
http://www.surrealism.org/
http://www.trendhunter.com/trends/nathalie-djurberg
http://www.wisegeek.com/what-is-claymation.htm

Monday, 28 May 2012

Week 8 - Industrialisation



Dynamism of a dog on a Leash (1912) Giacomo Balla

Industrialisation in the late 1800s, and today.

RMB City (2007-9)  Cao Fei
The artists of the late 1800's and early 1900's, in Europe, were influenced by the Industrial revolution.

1. What and when was the Industrial Revolution?
The industrial revolution was a major time period in the late 18th century of Europe shown by the general introduction to power-driven machinery and manufacturing. the invention of electricity, railroads and advancements in communication allowed a rapid change in the economy, a faster production of products of all kind, and allowed Europe, specifically England to forge ahead from the rest of the world.

Both paintings featured on this blog that are from the early 1900s were painted by Modernist painters from the group called 'Futurists'. The Futurists celebrated the machine, and objects in motion. Their primary objective was to depict movement, which they saw as symbolic of their commitment to the dynamic forward thrust of the 20th century.
2. Research both Modernist paintings in order to comment on the subject matter, form and style used to celebrate the machine and motion in each painting. Answer the question in 2 parts for each painting.
Umberto Boccion - the city rises
This painting subject matter is basically being record of a construction of a new electrical power plant being build. it is being dominated by the constant moving figures of muscular men who are just being depicted slaving away to get the building finished. It is typically a modernist painting due to the subject that it portrays and the style used to depict it. The subject as a whole just shows the advancement of time, and as a result shows it making way for new buildings and factories. The style itself is also considered modernist due to the simplicity of the subject, where the style of the work helps capture the movement, color and sound of the painting. This makes it living and somewhat energetic in the depiction of movement in the urban space; therefore it basically celebrates that beauty of progress taking place as a whole.
Giacomo Balla - Dynamism of a dog on a leash
In this painting, the subject matter here aims at focusing on the movement of the dog (as the title suggest), which is a breed called the Dachshund. Beside the dog is its owner, a lady dressed in what appears to be in some form of Victorian style dress. She also appears to scampering around just like her dog, where her skirt looks very clumsy and might trip. The word "dynamism” was used in the title, which is a theory that all phenomena (in terms of matter and/or motion) can be explained as a manifestation of force, and it was general used to describe the modern machine world. So it is basically just a comical relief used to describe this mere little dog being as fast as a machine.


Cao Fei's RMB City (2007-9) refers to China's recent rapid industrialisation and urbanization.
(www.artspace.org.nz/exhibitions/2009/cafeintopia.asp)

3. Research Cao Fei's RMB City (2007-9) in order to comment on this work in more depth.
i.e describe the images that has she used in her digital collage that refer to China's present and history, and explain why has she used these images.
RMB City is a virtual city found in the online world of Second Life, which was launched in 2008 and was planed and developed by Beijing artist Cao Fei, also known in her Second Life profile, China Tracy. The work itself is based around the idea of rapid advancement in China; specifically in terms of urbanizations sue to her work being influenced by the pop culture and entertainment.
The city was originally created as a playground for Cai Fei and her collaborators to experiment on the different use of mediums in order to test the boundaries between the existence of both virtual and physical world.
In the title, RMB stands for "Renminbi, which is the Chinese translation of currency in china consisting of Yuan. The work contains real symbols of china such as their national flag and their animal, the panda, as well as recognized buildings of the Feilai Temple, the Grand National Theatre in Beijing, the Oriental Pearl Tower, a ferries wheel leading to the people's Heroes and etc, and finally a statue of the once great leader of china, Mao Zedong. And these subjects in both real and virtual aspects of the work transverse between the boundaries of past and future, real and virtual to depict china as part of a contemporary cosmopolitan world.


4. RMB City is described as a utopia/dystopia. Comment on what these terms mean, and how they can be applied to the work.
As described in the Merriam-Webster dictionary, Utopia is an ideal place where laws, government and social conditions are considered the highest in all aspects, so overall, it is the perfect world. While Dystopia is the direct opposite of Utopia, as it is a place where people live a dehumanized and fearful life, so they live in the lowest quality in standard living.
These two terms can be applied to the work due to how it tries to depict a place as this version of a perfect ideal world, despite the fact that the country itself  is known to have a history of bad human rights, as well as in other aspects of political, and social areas. In the work, Cao Fei used the images and symbols taken from china to depict it as this fantasy like society where it show the area as some form of wonderland, perfect in all areas, its own version of utopia place in one area. However this work I believe only depicts the opposite of what china is as a country or what it should be. For the past few hundred or even thousand years of its history, china has been known for their serious problem in terms of its social and political issues, with the country having practiced a large number in slavery during its dynasties rule, most recently, China is considered having very low human rights, as accused by a number of foreign governments, as well as from protestors, such as ones of the torch relay during the 2008 Olympics, due to their violation in human civil rights, freedom in speech and religion as well as labor and property rights. So in a world-view perspective, china is considered an example of dystopia world due to these issues, and Cai Fei's virtual city uses these real symbols and ideals of china to try and illustrates it as the opposite of it, to show what it could have become if it improved and accepts contemporary ideals, so it could be that the idea of the her work is trying to help establish that from what can exist in the fantasy world to real life.


5. Although the Modernist paintings and the contemporary digital work have emerged from
different contexts, there are also many similarities. Comment on the similarities that you can see in the work. Look at the moving digital image at vimeo.com/4272260, if you have not
already researched it.
The similarity that I can only see between the modern painting and the contemporary digital work is basically the movement, both as an illustration of motion, but more specifically as a meaning to the progression in time. While both have shown the use of movement in their work, particularly from the works of the futurist, as well as the uses of video files from the digital art, what they both have in comment in this area is how they both use it to show the  progression in technology,  culture and ideas of our world today, and they both show it as the digital art uses the technology of today to transfer our creative ideas in this process, while the modernist painting helps illustrate it in a visual context, as the word modern means present, so it tries to help movement forward from today and tomorrow.

6. Comment on other student's blogs.

http://www.merriam-webster.com/dictionary/utopia
http://www.merriam-webster.com/dictionary/dystopia
http://www.huntfor.com/arthistory/c19th/modernism.htm
http://interventionsjournal.net/2012/01/26/rmb-city-spectatorship-on-the-boundaries-of-the-virtual-and-the-real/
http://www.merriam-webster.com/dictionary/industrial%20revolution
http://www.learner.org/courses/globalart/work/173/index.html
http://suite101.com/article/futurism-and-umberto-boccionis-the-city-rises-a280519
http://www.mutualart.com/OpenArticle/Cao-Fei--Building--RMB-City-/5A8FD7ADF04F9369
http://www.independent.co.uk/arts-entertainment/art/great-works/great-works-dynamism-of-a-dog-on-a-leash-1912-giacomo-balla-1781174.html
http://defensewiki.ibj.org/index.php/China?gclid=CNLmxJPEorACFU1spAodyywuWg

Monday, 21 May 2012

Week 6-Landscape and the Sublime



'Wanderer in the mists' (1818) Caspar David Friedrich


'Untitled #2" (2002) Richard Misrach


 'Untitled # 394-03' (2003) Richard Misrach

Richard Misrach's photography reflects the concept of the Sublime, from the Enlightenment.

Research Misrach's work by reading about his intentions, and also by looking at the work. Then answer the following questions;

1. Define the Enlightenment, including its context (time and place).
The enlightenment was a philosophical movement that mainly took place during the 18 century that focused on the framework of new ideas involving the view of man, society and nature and the structural development of science and reasoning. it challenged that traditional belief and ideas dominated by Christianity and had spanned from the 16th to the 19 century. The enlightenment itself is structured a basic principles that focuses on the concepts of equality, reasoning, the power of thought and individualism, human perfection, and the optimistic view of the world. These new ideas help in influencing the many cultural innovations in writing, printing, painting, music, sculpture, architecture and gardening, as well as the other arts.


2. Define the concept of the Sublime.
The definition of sublime, being first prominence in the 18th century is the quality of greatness whether they be physical, moral, intellectual etc. or to convert something inferior into something higher worth. This term was especially referred to the concept as an aesthetic quality in nature distinct from beauty.

3. Explain how the concept of the Sublime came out of Enlightenment thought.
Before that time, sublime paintings were not accept and were even ignored by critics of that time, as they were considered to be unimportant, while that subject of religion top the list on painting subjects. But when the enlightenment age moved away from traditional ideas of the church, people began to think more differently in more of the way the world worked  rather that from the rule of religion, so the sublime painting were slowly accepted by society with that fact that the time of enlightenment focusing on new ideas and challenging old dictated by the church, the concept of sublime reflects this, as paintings deal with the idea that life ad spirit depends on the harmony from the larger order of the universe.
4. Discuss the subject matter and aesthetic (look) of Misrach's work to identify the Sublime in his work. Include some quotes from art critics and other writers who have written about his work. 
On both of his work shown, with a lone or few people being surrounded by the beach and sea area, shows a very unsettling view of isolation from the world, as well as their vulnerability, while the picture's viewpoint itself shows that of clearly someone watching. Overall Misrach's work definitely reflects the ideal of sublime in terms of landscape as the subjects themselves are being engulfed by their natural surroundings, but they are also shown at ease, being tranquil with their surroundings
.
By Blake Gopnik
Washington Post Staff Writer
In Misrach's work, even images of figures lost in an infinity of water don't make us worry for their safety or sanity. They make us envy their leisure.
Step up close to peer at Misrach's minuscule people, and it's clear that they're at ease: Men and women float calmly on their backs; a woman dives from her boyfriend's shoulders; another woman does a handstand in the water, leaving only her legs visible above the swell.
These images assert a comfort with wild nature that we haven't always had. We now feel sure that we can tame it, use it, enjoy it, even endanger it at will.

Liz Magor and Richard Misrach
Henry Gallery :
“The series is titled after the post-nuclear bomb scenario of Nevil Shute's 1950s novel "On the Beach," later a movie with Gregory Peck and Ava Gardner. The photographs look down at vast expanses of beach and ocean, composed as allover patterns or simple geometries. In some, a lone human figure or two sprawl on the beach, entwine or float in the surf far below. They exist to provide a trope, the notion of the tininess of human life in the grand scheme of things.

5. Add 2 new images of his work to your blog.



           
6. Describe how does Misrach's photography makes you feel. How does it appeal to your imagination?
I quite like Misrach's work in terms of being both photography and a art form. I found them to be very relaxing, and calm, as well as inspiring me in terms of making me fell like being in place that i have never gone before, which appeals to my imagination. it also gives me an idea of the sublime, as it emphasizes more in the connection of nature and how they relates to the grand scheme of the universe as a whole. Making it quite powerful to behold, which is why it’s sublime because allot of people sometimes overlook this.
7. Identify some other artists or designers that work with ideas around the Sublime, from the Enlightenment era as well as contemporary artists.



JMW Turner was a famous painter and watercolorist of that time who also worked with the ideas of sublime where he painted a few scenes depicting the notion of a subjective world. This can be seen in one of his work “Snow Storm: Steamboat off a harbor’s Mouth (1842)” which depicts a boat sailing under a heavy sea storm. This work makes us experience the area as it draws us into the scene, and as they say “making us look not at the storm but through it.” The ideal of sublime can be seem due to the fact that despite its power and magnificence of the painting, it is not just the qualities of the scene or object we are looking at, but the experience that it emits.

James Turrell is an internationally acclaimed light and space American artist whose work spam to more than four decades. During those times he has created striking works that focuses on the perceptions, and light effect on a created space. His work in terms of sublime is a straightforward relation to mankind’s relation and place in the universe, where his work on the phenomena of light shows a discipline in peace, patience and meditation.



8. Add a Sublime image of your choice to your blog, which can be Art or just a Sublime photograph.


           


9. Reference your sources (books and websites).